A connection in between other poem and Tuhfat Al-Atfal

In part 3, the author tended to the spots where waqf ought to be made. Right now, judges how waqf ought to consider the harakah on the last letter - either  a fathah, dammah, or kasrah.

The Harakah of the last letter waqf is of 3 kinds: Waqf with iskān, Waqf with roum, Waqf with ishmām.

Furthermore, be careful with halting with an entire harakah tuhfat al atfal, aside from on the off chance that you are making roum, at that point (read) some portion of the harakah in jazaria. Be careful, avoid potential risk, be wary on the off chance that you are going to make roum, i.e., waqf with rowm.

At the point when the author says to be careful with halting with a total harakah, two things are known:

1) One may stop by perusing the last letter a sukūn

2) One may end by perusing the past harakah halfway Since it isn't allowed to stop with a total harakah.

3) The fathah, dammah, and kasrah of the most recent letters are not perused. Rather, they are given a sukūn in Quran sonnet.

This is called waqf with iskān 161. It might be done whether the most recent letter has a fathah, dammah, or kasrah in Tohfat Al Atfal.

In the second 50% of the line, the writer clarifies halting while at the same time perusing the last harakah somewhat. This is called roum, which intends to ask for. Others have set roum as the turning down the volume when perusing the harakah, to such an extent that lone those near you are prepared to hear it.

In the following line, jazariyah the creator portrays those harakāt whereupon roum isn't conceded. Aside from on a fathah or nasb apply ishmām by appearing to a dammah upon a (word which has a) raf˘ or dammah.

In tajwid al Quran the demonstration of surpassing the length of a harakah to offer ascent to an additional letter is called At Tamteet. There is a dread that one who discusses with tahqeeq will come into this. This is the reason when we recount with tahqeeq, we ought to be mindful so as not to extend any letter or harakah longer than its planning to include a message.

In the event that we expand any solid higher than its necessary length, at that point we offer ascent to new alifs, waws, and yaas. Thusly, accuracy in tahqeeq isn't to surpass the length required. For instance, in the event that he says kuuntum rather than kuntum – he stretches out the sound to deliver an additional waw Quran poem.

Roum isn't allowed on a word that has a fathah or nasb. The contrast among fathah and nasb is that the above shows a word that is undeclinable (mabnī), while the last proposes what is declinable (mu˘rab).

Ishmām may likewise be made through waqf, yet just on a dammah or raf˘. The complexity between the two is that the previous shows what is undeclinable and the conclusion to that which is declinable.

Ishmām intends to radiate a smell or follow. In fact it is the adjusting of the lips, similar to when holding a dammah, not long after the sukūn of the most recent letter has been perused. No harakah is perused when making ishmām.